Black ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black or white ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black or white ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black or white ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano
Black or white ceramic pitcher Sula with wide mouth by Giulio Iacchetti - Danese Milano

PITCHER SULA - DANESE MILANO

Danese Milano

The Sula pitcher is perfect for serving tap water at the table or in the office, in line with the values of environmental sustainability. The wide mouth allows the insertion of ice cubes, mint leaves or lemon slices to flavour your water, while ceramic is the ideal material to maintain the temperature of the liquid inside. 

 

Notes: Menzione d'Onore at XVII Compasso d'Oro

 

Dimensions:

  • Width 12.2 cm (base) and 8.6 cm (top)
  • Height 29.4 cm
Color - Black

€184.00
Tax included
Delivery in max. 20 business days

Giulio Iacchetti
Designer

Giulio Iacchetti

Giulio Iacchetti, industrial design since 1992, designs for many brands including Abet Laminati, Alessi, Danese, Elica, Foscarini, Globo Ceramiche, Jannelli&Volpi, Hastens, Magis, Meritalia, Moleskine, Pandora design. The distinctive characteristics of his work is the research and definition of new object typologies, like the Moscardino, the biodegradable spoon/fork designed with Matteo Ragni and for which, in 2001, he has been awarded with Compasso d’Oro. In 2009 he was awarded the prize for innovation – Premio dei Premi – by the President of the Italian Republic for the Coop Eureka project, which brought the design in the large-scale retail trade. In May 2009 the Triennale di Milano held a solo exhibition entitled “Giulio Iacchetti. Disobedient objects “. In November 2012 he launches Internoitaliano, the “factory network” made up of many craftsmen labs with whom he signs and produces furniture and accessories inspired by the italian way of living. He had also pursued his personal research project into new design topics such as the symbol of cross from which came the exhibition titled Cruciale held by the Diocesan Museum, Basilica di Santo Stefano Rotondo in Rome and by Castello di Lombardia in Enna, Sicily.

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